Today marks the release of Fear Itself, Marvel’s newest crossover event, featuring the writing talents of Matt Fraction and the art of Stuart Immonen. Does the opener truly inspire fear throughout the Marvel universe? What’s the deal with all those hammers? We’ve got some answers in our spoiler-free review after the break.Within its double-page count, Fear Itself has a lot accomplish and does it well. Like previous Marvel events, Fraction’s story subtly parallels present day situations like the current financial crisis. This causes our heroes to face a problem that can’t be solved by fighting.
The basis for the conflict is rooted in the history of both Thor and Captain America. The various elements of Norse mythology intertwined with Nazi vendettas against Captain America lead to an interesting dynamic. This first issue is heavy on the cast of Asgard, including Thor’s father, Odin, a character that looks to have a role in the longevity of the series.
The event finds itself in a unique position that it doesn’t require a vast amount of previous knowledge of the Marvel Universe. Fraction’s introduction of the situation and characters adequately informs new readers, but isn’t tiresome for Marvel veterans. The stage is set with plenty of mystery and intrigue, as the various players begin to assemble around the world. The characterization of the heroes comes off in a manner that suits their typical personalities. Fraction is also a master of pacing, as this issue equally balances quiet and action-packed moments.
While Fraction’s characterization and narrative is engaging, Immonen’s work is the real highlight. His art is incredibly kinetic, jumping off the page in a cinematic fashion. Part of that cinematic feel comes from the way the panel layouts progress in an abnormal and unique fashion. I’d be remiss if I didn’t give credit to the great inking of Wade von Grawbadger and the beautiful coloring of Laura Martin who complement the strength of Immonen’s pencils.
Fraction’s Eisner award-winning writing, aided by Immonen’s cinematic art, present a first issue that gives an interesting dynamic not seen in previous events. Fear Itself introduces a legitimate evil to the Marvel universe that has me intrigued by the forthcoming issues.
